The Anthony in this painting was a desert hermit who lived in Egypt during the 3rd and 4th centuries, way before there was a Franciscan or Dominican Order. The Torment of Saint Anthony 635 Words | 3 Pages. Washington: National Gallery of Art, 2006. The piece was then acquired in 1965 at auction as lot 91[17]  by the Putnam Sisters, who would later found the Putnam Foundation. Medieval Saints in Late Nineteenth Century French Culture: Eight Essays. Masterful engraving techniques using crosshatching and lines to create depth and volume. Berrie. Adelaide, Australia: ATF, 2005. 136, [17] “Torment of St. Anthony.” Timken Museum of Art. Instead Savoldo decides to artistically display the contrast between good and evil. Early use of engraving allows mass production of Christian art in the 15th century, making art available to everyone and not only to the wealthy. [8] Brown, David Alan, Sylvia Ferino-Pagden, Jaynie Anderson, and Barbara Hepburn. [1], Savoldo is also referred to as Girolamo da Brescia thus named because he was a student at the Brescian school. Washington: National Gallery of Art, 2006. Kuiper, Kathleen. 94. Brown, David Alan, Sylvia Ferino-Pagden, Jaynie Anderson, and Barbara Hepburn. Art History – Torment of Saint Anthony by Savoldo, http://www.timkenmuseum.org/about/history, http://www.timkenmuseum.org/collection/italian/torment-st-anthony, http://www.merriam-webster.com/dictionary/verism>. Balboa Park in San Diego, California. ( Log Out /  http://www.timkenmuseum.org/about/history (accessed March 2, 2012). Change ). Print. Schongauer's Temptation of St. Anthony is an excerpt from Life of St. Anthony. Anthony’s fire.” It is without coincidence that Savoldo decided to depict St. Anthony in the painting thus transforming “an attribute of the saint into a narrative element and an imaginary place in which to tell his story, clarifying it by opposing the fire as a metaphor for hell with the serene ‘desert’ of remote places with no respect for chronological order, for the essential unity of place in the written text, or even for a consistent history. ( Log Out /  Penguin Books Ltd. 340–344. “Volume 14 of Atf Series.” Wisdom for Life. http://www.timkenmuseum.org/about/history. (1993). The Putnam Foundation began as a serendipitous relationship between sisters, Anne R. and Amy Putnam; “members of the Ohio-based Timken family and San Diego attorney Walter Ames. Washington: National Gallery of Art, 2006. 136, [11] Brown, David Alan, Sylvia Ferino-Pagden, Jaynie Anderson, and Barbara Hepburn. Sorry, your blog cannot share posts by email. Berrie. 2012. Welcome to. 136, [14] Brown, David Alan, Sylvia Ferino-Pagden, Jaynie Anderson, and Barbara Hepburn. The skill of crosshatching and line techniques he uses creates depth and volume of the figures. Schongauer’s studies on animals is then adapted into his engraving to create life like textures on beasts. ( Log Out /  Furthermore, the painting is a perfect example of how art and faith can be successfully integrated. Art historians have estimated that Giovanni Girolamo Savoldo was born between 1480-1485 in or around the city of Brescia in northern Italy. “23, Giovanni Girolamo Savoldo.” Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting. “23, Giovanni Girolamo Savoldo.” Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting. Jefferson, NC: McFarland &, 2004. His hands point to the monastery painted in the background, a subtle reminder that he was the father of monasticism. Rose, Mary Beth. Perhaps, even more interesting than the location of origin is why the painting exists. 136, [16] Brown, David Alan, Sylvia Ferino-Pagden, Jaynie Anderson, and Barbara Hepburn. Emery, Elizabeth, and Laurie Postlewate. The Temptation of St. Anthony is the broader name for this topic. Schongauer’s Temptation of St. Anthony is an excerpt from Life of St. Anthony. http://www.timkenmuseum.org/collection/italian/torment-st-anthony, [18] “History.” Timken Museum of Art. [7] “Verism.” Merriam-Webster. I believe this thought process would only occur to those who are aware of the unique structure of story and how it is the foundation to any art form.

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